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Answer :
The correct definition of the ballad stanza is that it consists of four lines of iambic tetrameter; lines one and three have four accents, lines two and four have three accents; lines two and four rhyme.
To understand the structure of a ballad stanza, let's break it down:
- Iambic tetrameter: This refers to the meter of the poem, where each line has four iambic feet. An iamb is a metrical foot consisting of an unstressed syllable followed by a stressed syllable. Thus, each line in the stanza will have a pattern of four iambs, which can be notated as da-DUM da-DUM da-DUM da-DUM.
- Accents: The term ""accents"" refers to the stressed syllables in the line. In the ballad stanza, the first and third lines have four stressed syllables, while the second and fourth lines have three stressed syllables.
- Rhyme scheme: The ballad stanza typically has a rhyme scheme where the second and fourth lines rhyme with each other. The first and third lines do not necessarily rhyme.
Putting this all together, the ballad stanza structure looks like this:
Line 1: Eight syllables (four iambs), four stressed syllables (unstressed syllables are not counted in the accent total)
Line 2: Eight syllables (four iambs), three stressed syllables, rhymes with line 4
Line 3: Eight syllables (four iambs), four stressed syllables
Line 4: Eight syllables (four iambs), three stressed syllables, rhymes with line 2
The rhyme scheme can be represented as ABAB or ABXB, where A represents the rhyme in lines two and four, B represents the lack of rhyme in lines one and three, and X represents the possibility of a different rhyme or no rhyme in line three.
Here is an example of a ballad stanza:
Oh, where have you been, my long-lost lover (A)
The winds have blown cold from across the sea (B)
I've waited here all alone, my heart's endeavor (A)
For you to return and marry me (B)
In this example, ""lover"" and ""endeavor"" rhyme, as do ""sea"" and ""me,"" while ""been"" and ""waited"" do not rhyme with any other words in the stanza.
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