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Artists began to explore unconventional painting techniques that diverged from easel paintings notably with Jackson Pollock in the late 1940s, and this experimentation was further developed by avant-garde movements such as Abstract Expressionism. The 1960s and 70s saw a continuation and expansion of these new art forms, leading to a rich diversity of artistic practice that includes both traditional and experimental media.
Artists began exploring "off the wall" painting techniques, moving beyond the traditional format of easel paintings most notably in the post-World War II era, particularly in the late 1940s with artists like Jackson Pollock.
Pollock revolutionized painting by laying large canvases on the floor and employing a technique of dripping and splattering paint, utilizing his whole body, thus distancing himself from figuration and challenging the Western tradition of easel and brush.
This shift in artistic methods was part of a broader challenge to the art status quo, further developed by the avant-garde movements such as Abstract Expressionism, where artists moved from representational to abstract imagery, applying paint in large, flat areas of color, and sometimes incorporating non-traditional materials and techniques such as staining, pouring, and spraying of paint.
Different movements like Pop Art and Minimalism further pushed the boundaries in the 1960s and 1970s, adding new dimensions to art by exploring concepts, forms, and alternative media. This era saw a "dematerialization of art," where the emphasis was placed on the conceptual aspects of art, and artists experimented with photography, film, video, performance art, and large-scale installations, embracing new forms of art that defied traditional categories.
The adoption of new materials like acrylic paint facilitated these explorations, providing artists with more versatile mediums to work with.
This period marked an explosive moment of creativity where the notion of what art could be dramatically expanded, influenced by new technology and social changes. It set the stage for the rich diversity of artistic practices we see today, where traditional and experimental techniques coexist and inform one another.
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