Ancient Greek notions of beauty were based upon the combination of an underlying canon of mathematical proportions with the finely honed physiques possessed by male athletes.

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False

The notion that ancient Greek beauty ideals combined mathematical proportions with the male athletic physique is true. The Greeks believed in perfecting their bodies through athleticism and captured beauty in art through idealized mathematical forms as canonized by sculptors like Polykleitos.

Explanation:

The statement that ancient Greek notions of beauty were based on a combination of mathematical proportions and the athletic male physique is true. The Greeks highly valued athleticism, believing that it distinguished them from non-Greeks and trained men for peacetime rivalry and war.

In the arts, they sought reality beyond appearances, capturing life in mathematically determined ideal forms, which is evident in early Archaic sculptures and the construction of temples. Polykleitos, a Greek sculptor from the 5th century BCE, was known for his theorem canonizing these proportions in his sculptures, such as the Doryphoros.

His understanding of beauty, as later summarized by Galen, was that it lay in the proportions of body parts to each other, and not merely in the elements themselves.

Additionally, the Greeks had specific characteristics they regarded as beautiful, including a straight nose, a low forehead, perfect eyebrows, and blonde hair. This ancient Greek aesthetic, reflected in their statues, carried through to later civilizations, notably influencing practice and thought during the Renaissance, as seen in the work of artists like Leonardo da Vinci with his Vitruvian Man.

Ancient Greek notions of beauty were based upon the combination of an underlying canon of mathematical proportions with the finely honed physiques possessed by male athletes.True False

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Ancient Greek notions of beauty were based upon the combination of an underlying canon of mathematical proportions with the finely honed physiques possessed by male athletes.

True
False