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Final answer:

Fifteenth-century Germany saw a transition from handwritten manuscript typefaces like Carolingian minuscule to movable-type printing, initiated by the invention of the printing press by Johannes Gutenberg. Despite Gutenberg's invention, handwritten manuscripts continued to be important, as seen in the Flemish illuminated manuscript from 1470.

Explanation:

Handwritten Manuscript Typeface from Fifteenth-Century Germany

The fifteenth-century Germany saw a remarkable development in the realm of manuscript typeface, which was instigated by the invention of the printing press by Johannes Gutenberg around 1440. Prior to this, handwriting styles such as Carolingian minuscule developed by Alcuin of York were prevalent, however, Gutenberg's invention changed the course of human knowledge dissemination. His system involved the use of movable-type printing where each block contained a letter made of metal. This style made it significantly easier to print text, resulting in more efficient and widespread distribution of knowledge, including classical works from the intellectual and religious circles.

Despite the introduction of the printing press, the art of manuscript writing didn't immediately cease. As seen in examples like the Flemish illuminated manuscript from approximately 1470, which was a French translation of Cicero's philosophical treatise De amicitia, handwritten manuscripts still held considerable importance.

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