High School

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One artist from this country showed an orange crest pinned to the white robe of a martyred saint in his painting of Saint Serapion. A later artist from this country painted a triptych named for the color blue and included a ladder and a fish out of water in his childlike painting of a clown's birthday party. Another artist from this country painted a portrait of Pope Innocent X that was adapted into Francis Bacon's Screaming Pope. That same artist from this home of the Escorial Palace included an exchange of keys in his Surrender at Breda and depicted himself wearing a red cross at an easel in a painting named for royal maids of honor.

For points, name this country home to the painters Francisco de Zurbarán and Diego Velázquez.

Answer :

Final answer:

The country associated with artists Francisco de Zurbaran and Diego Velazquez, known for their contributions to the 17th century Spanish Golden Age of art, is Spain. Velazquez is notable for his portrait of Pope Innocent X and for including himself in 'Las Meninas', while Zurbaran is recognized for his religious paintings that imbued Spanish culture with mysticism.

Explanation:

The country being referenced with respect to the artists Francisco de Zurbaran and Diego Velazquez is Spain. These painters are renowned figures of the 17th century, a period known as the Spanish Golden Age. Zurbaran was often called the Spanish Caravaggio due to his dramatic and realistic use of chiaroscuro, and he is famous for his depictions of religious figures and martyrs, such as St. Francis of Assisi and St. Serapion, emphasizing the Spanish culture and religion during a time of war in Europe. Diego Velazquez is well-known for his masterpiece Las Meninas (The Maids of Honor), where he portrayed himself at an easel and used bold compositions that placed the viewer in the perspective of the king and queen. Additionally, Velazquez's portrait of Pope Innocent X is celebrated for its expert use of color and texture, capturing the personality and dignity of the pope in a powerful representation. The Spanish monarchs, including Philip IV, were patrons of the arts and favored the elaborate and ornate style of the era, which served to express their power, status, and religious fervor in line with the Counter-Reformation.

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