Answer :

Charlemagne the King of the Franks was the one to initiate a revival in art known as the Carolingian art. He had beckoned great scholars to renew art, literature and church. There arouse the Carolingian art which lives till now through the manuscripts, sculpture and many other artifacts.

Explanation:

  • Charlemagne had his own scriptorium which had a new script known as the Carolingian minuscule. This was the widely used script for 400 years in Europe.
  • Then figurative art was introduced where the artists tried to explore it in three dimensions.
  • The illuminated manuscript was used to highlight meanings of the songs and prayers written upon pages.

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Rewritten by : Barada

Final answer:

Carolingian art is characterized by a classical revival with energetic and expressive line work. It included luxury manuscripts like the Coronation Gospels and frescoes that served to reinforce Charlemagne's political and religious authority. The attempt to create a sense of depth and volume marked a departure from the flat, two-dimensional representation of prior periods.

Explanation:

Generalizations about Carolingian art from illuminated manuscript paintings highlight a revival of classical style coupled with influences from Insular and Migration Period art. Illustrations use classical themes with a focus on narrative and expressive line work, evident in pieces such as the Utrecht Psalter and the Ebbo Gospels. Carolingian manuscripts were luxury items, often with treasure bindings, and served both religious and political purposes, symbolizing the power and cultural revival under Charlemagne's reign.

The Carolingian Renaissance was characterized by an attempt to recover the classical past, especially Roman art, under the Christian banner. This period saw enhanced use of gold and purple-dyed vellum as seen in the Coronation Gospels, suggestive of the links Charlemagne sought to establish with ancient Rome. Carolingian frescoes, mosaics, and the art of ivory carving also thrived, with religious and imperial themes dominating the narrative.

Carolingian painting and sculpture show a clear departure from the flat, two-dimensional representations of the early Christian period, and instead illustrate a return to the more classical sense of depth and volume. This is notable in the expressive and energetic lines of the Ebbo Gospels, which broke precedence in manuscript illumination. The classical influence is present in the poses and attire of figures, resembling ancient Roman philosophers and emperors, thereby aligning Charlemagne's rule with the great Roman Empire.