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Answer :
Lucas Cranach was a German Renaissance painter and printmaker in woodcut and engraving. He dedicated part of his career to embrace the Protestant Reformation. During his time, printed images varied from devotional and edifying to the criticism which could be drawn by Protestant illustrators both to condemn the Church of their day and to present an alternative ideology in positive terms.
As an element of propaganda, Cranach represented a contrast between the Christ compelled to carry his cross and the Pope carried in a litter. By doing that, the artist not only criticizes ostentation but also makes the metaphysical point that the true supporters of Christ involve suffering. It is consequently difficult to make a hard and fast distinction between positive and negative illustrations in these pamphlets.
Another polemical woodcut included the Cranach`s Revelation of St. John, most famously the depictions of the beast in the temple and of the prostitute of Babylon wearing papal tiaras. The tiaras proved controversial and were quickly withdrawn; but their original inclusion exemplifies the extraordinary freedom Luther felt able to apply in relation to the form of the holy text, provided that its essence was retained.
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Final answer:
Cranach's woodcut likely employs symbolic propaganda elements aimed at influencing viewers, with its effectiveness hinging on various factors such as design and distribution. The varied audience might react differently to the narrative presented, reflecting the complex impact of propaganda.
Explanation:
The elements of propaganda in Cranach's woodcut are likely to consist of symbolic imagery designed to influence its audience's emotions and perceptions. Propaganda aims to convert discourse to history by presenting a narrative as an already accomplished fact. In the context of the woodcut, the intended audience might include various segments of society such as children, drinkers, nondrinkers, and others, each potentially reacting differently based on their personal experiences and societal roles.
In terms of its effectiveness, a propaganda piece is considered successful if it can persuade its audience or reinforce existing beliefs. Factors such as the number of copies produced, the printing methods used, and the design elements chosen all play a role in the impact of the propaganda. The German Expressionists' use of woodcuts to depict 'primitive' societies suggests that Cranach's work may also tap into a raw and vital energy, aiming to stir a strong emotional response in viewers.
